Paul gustave dore biography for kids

Paul Gustave Doré (French pronunciation: ​[pɔl ɡystav dɔʁe]; January 6, 1832 – January 23, 1883) was a Frenchartist, engraver, illustrator and sculptor. Most of Doré's work was wood engraving and steel engraving.

Biography

Doré was born in Strasbourg. His first illustrated story was published at the age of fifteen. As a young man, he began work as a literary illustrator in Paris. He was hired to illustrate scenes from books by Rabelais, Balzac, Milton and Dante.

In 1853, Doré was asked to illustrate the works of Lord Byron. British publishers asked him to do more work, including a new illustrated English Bible. Ten years later, he illustrated a French edition of Cervantes's Don Quixote. His images of the knight and Sancho Panza have influenced later readers, artists, and stage and film directors' ideas of how the two characters looked. Doré also illustrated an edition of Edgar Allan Poe's "The Raven" with larger than usual pages. He was paid 30,000 francs by the publisher Harper & Brothers in 1883.

Doré's English Bible (1866) was a great success, and in 1867 Doré had a major exhibition of his work in London. The Doré Gallery in Covelant Bond Street opened after the show. In 1869, Blanchard Jerrold suggested that they work together to make a complete portrait of London. Jerrold got the idea from The Microcosm of London produced by Rudolph Ackermann, William Pyne, and Thomas Rowlandson in 1808. Doré signed a five-year contract with the publishers Grant & Co. He had to stay in London for three months each year. He was paid £10,000 a year for the project.

The completed book, London: A Pilgrimage, was published in 1872. It had 180 engravings. The book was successful financially and influenced many people. However, many critics at the time disliked it. Some of these critics wrote that Doré paid too much attention to the poverty in parts of London.

His later works included Cole

Paul Gustave Louis Christophe Doré (UK:DOR-ay, US:DOR-ay, French: [ɡystav dɔʁe]; 6 January 1832 – 23 January 1883) was a French artist, as a printmaker, illustrator, painter, comics artist, caricaturist, and sculptor. He is best known for his prolific output of wood-engravings, especially those illustrating classic books, including 241 illustrating the Bible. These achieved great international success, and he is the best-known artist in this printmaking technique, although his role was normally as the designer only; at the height of his career some 40 block-cutters were employed to cut his drawings onto the wooden printing blocks, usually also signing the image.

In all he created some 10,000 illustrations, the most important of which were "duplicated in electrotype shells that were printed ... on cylinder presses", allowing very large print runs as steel engravings, "hypnotizing the widest public ever captured by a major illustrator", and being published simultaneously in many countries. The drawings given to the block-cutters were often surprisingly sketch-like and free.

Biography

Doré was born in Strasbourg on 6 January 1832. By age 5 he was a prodigy artist, creating drawings that were mature beyond his years. Seven years later, he began carving in stone. At the age of 15, Doré began his career working as a caricaturist for the French paper Le journal pour rire. The illustrations of J. J. Grandville have been noted as an influence on his work. Wood-engraving was his primary method at this time. In the late 1840s and early 1850s, he made several text comics, like Les Travaux d'Hercule (1847), Trois artistes incompris et mécontents (1851), Les Dés-agréments d'un voyage d'agrément (1851) and L'Histoire de la Sainte Russie (1854). Doré subsequently went on to win commissions to depict scenes from books by Cervantes, Rabelais, Balzac, Milton, and Dante. He also illustrated "Gargantua et Pantagruel" in 1854.

Doré’s illustrations for the English Bible (1866) were a great success, and in 1867 Doré had a major exhibition of his work in London. This exhibition led to the foundation of the Doré Gallery in Bond Street, London. In 1869, Blanchard Jerrold, the son of Douglas William Jerrold, suggested that they work together to produce a comprehensive portrait of London. Jerrold had obtained the idea from The Microcosm of London produced by Rudolph Ackermann, William Pyne, and Thomas Rowlandson in 1808. Doré signed a five-year contract with the publishers Grant & Co that involved his staying in London for three months a year, and he received the vast sum of £10,000 a year for the project. Doré was mainly celebrated for his paintings in his day. His paintings remain world-renowned, but his woodcuts and engravings, like those he did for Jerrold, are where he really excelled as an artist with an individual vision.

The completed book, London: A Pilgrimage, with 180 engravings, was published in 1872. It enjoyed commercial and popular success, but the work was disliked by many contemporary critics. Some of these critics were concerned with the fact that Doré appeared to focus on the poverty that existed in parts of London. Doré was accused by The Art Journal of “inventing rather than copying.” The Westminster Review claimed that “Doré gives us sketches in which the commonest, the vulgarest external features are set down.” The book was a financial success, however, and Doré received commissions from other British publishers.

Doré’s later work included illustrations for new editions of Coleridge’s Rime of the Ancient Mariner, Milton’s Paradise Lost, Tennyson’s The Idylls of the King, The Works of Thomas Hood, and The Divine Comedy. Doré’s work also appeared in the weekly newspaper The Illustrated London News.

Doré never married and, following the death of his father in 1849, he c

French illustrator and painter (1832–1883)

"Doré" redirects here. For other uses, see Doré (disambiguation).

Paul Gustave Louis Christophe Doré (DOR-ay, dor-AY, French:[ɡystavdɔʁe]; 6 January 1832 – 23 January 1883) was a French printmaker, illustrator, painter, comics artist, caricaturist, and sculptor. He is best known for his prolific output of wood-engravings illustrating classic literature, especially those for the Vulgate Bible and Dante's Divine Comedy. These achieved great international success, and he became renowned for printmaking, although his role was normally as the designer only; at the height of his career some 40 block-cutters were employed to cut his drawings onto the wooden printing blocks, usually also signing the image.

He created over 10,000 illustrations, the most important of which were copied using an electrotype process using cylinder presses, allowing very large print runs to be published simultaneously in many countries.

Although Doré's work was popular with the general public during his life, it was met with mixed reviews from contemporary art critics. His work has been more widely celebrated in the centuries following his death. Among his contemporary admirers were writers H. P. Lovecraft and Théophile Gautier. Julien Doré, Gustave's great-great-grandson, is a popular singer-songwriter in France.

Biography

Doré was born in Strasbourg on 6 January 1832. At the age of 15, Doré began his career working as a caricaturist for the French paper Le journal pour rire. The illustrations of J. J. Grandville have been noted as an influence on his work. Wood-engraving was his primary method at this time. In the late 1840s and early 1850s, he made several text comics, like Les Travaux d'Hercule (1847), Trois artistes incompris et mécontents (1851), Les Dés-agréments d'un voyage d'agrément (1851) and L'Histoi