Biography of edouard manet paintings value

Édourd Manet – Friendship with Antonin Proust; training with Thomas Couture

Édourd Manet was born in Paris on 23 January 1832. Against his father’s will - the republican-minded judge Auguste Manet – he chose a career as artist. During school he stood out rather for bad behaviour and poor ability, but was loved by his classmates and started a lifelong friendship with the later politician Antonin Proust. Manet proved his drawing talent with caricatures of his teachers, from which his uncle Fournier financed his first drawing lessons. Having studied the Old Masters in the Louvre, he decided to follow a career as marine officer. The apprenticeship led him on a training ship to Brazil, a journey that left a great impression on him and changed his mind to actually follow art – going on to often paint sea views. Manet learnt how to paint in the studio of Thomas Couture, considered a progressive artist, and as well as his friend Proust, met the German painter Anselm Feuerbach.

Study trips through Europe; the search for his own style

Édouard Manet soon became dissatisfied with Couture’s teaching methods and so took additional lessons at the Académie Suisse. His father financed a number of foreign trips which he used to visit the European art metropoles of Amsterdam, Dresden, Munich, Prague, Venice, Rome and Florence, accompanied in Italy by his brother Eugène Manet. Following a visit to Eugène Delacroix, Manet separated completely from his teacher Couture and moved into a communal studio with the painter Albert de Balleroy. Hardly any pieces survived from this period as Manet did not document his work and was also inclined to destroy earlier pictures. The artist still had not found his own style, but during this period of development, he made friends with painters such as Edgar Degas and Henri Fantin-Latour and also exchanged ideas with the poet Charles Baudelaire. Manet’s first independent work is considered The Absinth Drinkers, although it was rejecte

A portrait of a Parisian actress by Edouard Manet has set a new auction record for the French impressionist.

Spring sold at Christie's in New York for $65 million (£40.6m), almost doubling the previous record of $33.2 million (£20.7m) for a work by Manet.

The oil painting, which has been owned by the same family for more than 100 years, depicts actress Jeanne Demarsy in a floral dress and bonnet.

The J Paul Getty Museum in Los Angeles was later revealed as the buyer.

It will go on public display by the end of the year, the institution said.

The 1881 masterpiece had been estimated to sell for up to $35 million (£21.9m).

The allegorical painting has been on loan to Washington's National Gallery of Art for the past 20 years.

It was intended to be one of a series of four paintings, but Manet only completed Spring and Autumn before his death in 1883, aged 51.

The Christie's auction of modern and impressionist art fetched more than $165 million compared with a $422 million sale at rival Sotheby's earlier this week.

Brooke Lampley, head of Impressionist and modern art at Christie's said the sale was "well-priced and tailored to today's tastes".

But the second most expensive lot in Wednesday's sale failed to sell. Les constructeurs avec arbre, by French cubist painter Fernand Leger, had been valued up to $22 million (£13.7m) but failed to raise significant interest in the auction room.

Among other highlights in the sale were Alberto Giacometti's Stele III sculpture, which fetched $9.9 million (£6.1m) and Joan Miro's Tuilerie a Mont-roig, which sold for $8.7 million (£5.4m).

A leading artist in the transition from realism to Impressionism, Édouard Manet (1832–1883) was an early Modern painter who claimed city life as a worthy subject for high art. He used a direct, alla prima technique – successive layers of paint on a light ground – to create remarkably vibrant canvases whose opaque flatness and sketch-like passages changed the acceptable norms of painting.

Born into an upper-class Parisian family, Manet began studying art formally at 18 while spending hours at the Louvre copying the work of Old Masters. Opening a studio in 1856, he produced such masterful early works as The Absinthe Drinker (1858–59); The Luncheon on The Grass (1863), whose nude female shocked critics though its composition was inspired by Old Master precedents; and Olympia (1863), another Old Master-like creation featuring a highly confrontational prostitute. Painting in a quick, loose style, Manet produced many café scenes that captured the population – bohemian, working-class, bourgeois – and the mood of nightlife in 19th-century Paris, as in Le Café Concert (1878). He offered snapshot of the activities of the wealthy in works such as The Races at Longchamp (1864), as well many fresh ways of seeing and understanding Paris: The Railway (1873), for instance, focuses squarely on the figures located hard against the iron fence, and the only sign of a train is a cloud of smoke. With his health deteriorating in his mid-40s, Manet concentrated on painting small still-lifes of fruit and vegetables, producing his last major work, A Bar at the Folies Bergères, in 1882.

French painter (1832–1883)

"Manet" redirects here. For other uses, see Manet (disambiguation).

Not to be confused with Claude Monet, another painter of the same era.

Édouard Manet (, ;French:[edwaʁmanɛ]; 23 January 1832 – 30 April 1883) was a French modernist painter. He was one of the first 19th-century artists to paint modern life, as well as a pivotal figure in the transition from Realism to Impressionism.

Born into an upper-class household with strong political connections, Manet rejected the naval career originally envisioned for him; he became engrossed in the world of painting. His early masterworks, The Luncheon on the Grass (Le déjeuner sur l'herbe) or Olympia, "premiering" in 1863 and '65, respectively, caused great controversy with both critics and the Academy of Fine Arts, but soon were praised by progressive artists as the breakthrough acts to the new style, Impressionism. These works, along with others, are considered watershed paintings that mark the start of modern art. The last 20 years of Manet's life saw him form bonds with other great artists of the time; he developed his own simple and direct style that would be heralded as innovative and serve as a major influence for future painters.

Early life

Édouard Manet was born in Paris on 23 January 1832, in the ancestral hôtel particulier (mansion) on the Rue des Petits Augustins (now Rue Bonaparte) to an affluent and well-connected family. He had two younger brothers, Eugène (born 1833) and Gustave (born 1835). His mother, Eugénie-Desirée Fournier, was the daughter of a diplomat and goddaughter of the S