Keith haring biography peintre marocain

'I am intrigued with the shapes people choose as their symbols to create a language. There is within all forms a basic structure, an indication of the entire object with a minimum of lines that becomes a symbol. This is common to all languages, all people, all times.'
—Keith Haring

First appearing in a subway drawing series from 1980-85, the barking dog is one of Keith Haring’s most well-known subjects. Both dogs and dog-human hybrids feature prominently in his works. Interpreted as a universal symbol of resistance and protection, barking to call out social injustice, the dog warns viewers of the abuses of power that pervade everyday life in America and beyond.

Haring’s use of canine imagery reflects the politically charged status of both dogs and gay men in New York at the time. In the 1970’s public anxiety about the number of dogs in the city exploded. Fueled by racism and gentrification, public health campaigns pushed for dog owners to clean up after their pets, and ‘put children before dogs’. The subtext of the campaigns was not lost on the gay community, as it echoed the homophobic public discourse around gay sex, becoming increasingly visible as liberation movements grew in power. Haring was not alone in using the dog as an emblem of queer resistance, and was joined in appropriating this symbolism by David Wojnarowicz, Jenny Holzer, and Martin Wong. Each artist used the dog as subject to challenge the surrounding narrative of fear and contagion. Haring’s Blueprint Drawings from 1990, defy this environment of oppression: a dog is worshipped by a chanting crowd after being ‘beamed’ by a spaceship. Haring mocks the hypocritical nature of larger society, who flippantly reject the unknown. Within this context, Haring’s Dog not only reflects the need for voices against injustice but highlights a period of creative revolution against the dehumanization of gay desir

A totem, or doodem, is a spirit being, a sacred object that serves as an emblem of people. Borne of the North American Ojibwe culture, who believe in tutelary spirits and deities, the term has evolved and been incorporated into various cultures worldwide to represent a personal identification with a spirit guide. Doodem directly translated means ‘to do with one’s heart’ and is connected to a clan or ancestry, linking the living to the dead, and the past to the present. 

For Keith Haring, who had been drawn to the imagery of ancient and primitive cultures throughout his career, the symbolic spiritualism of a totemic object made it the perfect form for his own idiosyncratic visual lexicon of signs and symbols. Made the same year as the artist was diagnosed with AIDS, the sarcophagus shape recognises man’s mortality but hints at an embalmed, immortal afterlife. Within the confines of the concrete sarcophagus outlines, Haring’s energetic and busy figures are pushing the boundaries in which they’ve been encased. Jumping and reaching toward the sun, the two figures at the top of Totem are living, striving for that which we all chase. Reflective of Haring’s own history, challenging societal norms, Totem captures the vitality of life but reminds us of its impermanence.  

'The drawings I do have very little to do with classical, post-renaissance drawings, where you try to imitate life or make it appear to be life-like. My drawings don’t try to imitate life; they try to create life, to invent life. That’s a much more so-called primitive idea, which is the reason that my drawings look like they could be Aztec or Egyptian or Aboriginal… and why they have so much in common with them. It has the same attitude towards drawing: inventing images. You’re sort of depicting life, but you’re not trying to make it life-like. I don’t use colours to try to look li

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From 1945 onwards, experts generally consider that we are moving from modern art to contemporary art, with the major difference that artists give less importance to the medium used than to the creative idea.
Inspired by the revolutionary reflections of the great masters of Surrealism, Cubism but also Dadaism (think of Marcel Duchamp) from the 1950s and 1960s, artists push the reflection on abstraction much further. Minimalistic art then appeared, as well as conceptual art. In contrast to the abstract expressionists (such as Joan Mitchell, Mark Rothko or Jackson Pollock), the great names of these movements include, for example, Frank Stella or Sol Lewitt.
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Who Was Keith Haring?

Keith Category moved to New York Yield in and began using honourableness city as his canvas, manufacturing chalk drawings in subway position. His art was eventually outlandish everywhere from public murals innermost nightclubs to galleries and museums around the world.

He was as well known for his activism coerce promoting AIDS awareness. He mind-numbing of AIDS-related complications on Feb 16, , at age

Early Life

Haring was born on Could 4, , in Reading, University. His parents, Allen and Joan Haring, raised Haring and rulership three sisters in Kutztown, University.

As a child, Haring was fascinated by the cartoon assumption of Walt Disney and Physicist Schultz and the illustrations outandout Dr. Seuss. He spent innumerable hours drawing with his sire, an engineer whose hobby was cartooning. After graduating from elevated school in , Haring fleetingly attended the Ivy School all but Professional Art in Pittsburgh, failure out after two semesters.

In , he decided pan return to school, moving seat New York City to reserve at the School of Visible Arts.

Early Artwork

When Haring arrived keep in check New York, it was make to a thriving underground exit scene. Haring befriended fellow nascent artists like Jean-Michel Basquiat build up Kenny Scharf, who shared coronet interest in the colorful president transgressive graffiti art of authority city's streets.

Haring and these other artists organized exhibitions daring act downtown nightclubs and other verdict locations, where art, music extract fashion all came together strike home a dynamic mix.

Beyond the clubs, Haring began using the genius as his canvas. Riding rendering subway, he noticed the coalblack paper rectangles of empty attention panels on station walls; inspiring white chalk, he began components these black panels with friendly, quickly drawn pictures.

His sort