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I had a miserable time watching director Todd Solondz’s Palindromes—twice in the space of six months, in fact—but that doesn’t mean it’s not an interesting film: Solondz is the Morrissey of movie misery, never more blithe than when he’s bleak. When I first caught a glimpse of Solondz’s latest denial of the joy life can bring, I was at the New York Film Festival last fall, and the audience around me guffawed at a sunny, Midwestern born-again Christian named Mama Sunshine (Debra Monk), whose home is a haven for various children with an array of disabilities. ” The amusement that line provoked just hardened my annoyance with the film’s mostly stiff acting and intentionally flat, banal dialogue. There he goes again, I thought of the director of Welcome to the Dollhouse (1995) and Happiness (1998): Solondz prods his audiences into feeling smugly superior to his supposedly clueless characters. But looking at Palindromes again two weeks ago, it struck me that the no-legs line was something a blissfully baffled woman like Mama Sunshine would say (she’s the sort of person who can’t imagine why anyone might want to flee a house filled with ceaseless worship and religious sloganeering), and that Palindromes is, at least in its best moments, an honest grappling with belief systems prominent outside of Manhattan and Los Angeles.

The movie is a semi-sequel to Dollhouse, dedicated to that film’s heroine, Dawn; Palindromes starts at her memorial service and focuses on her cousin, Aviva, a teenage girl played over the course of Palindromes by seven different actresses and one actor. Solondz wants to universalize Aviva—from scene to scene, she’s played by a skinny white girl, an obese black girl, or a non-teenaged Jennifer Jason Leigh. She’s an all-purpose innocent who, seeking love and comfort in the world, is preyed upon and manipulated.

Which, of course, is where Solondz gets up to his usual morbid, dismaying tricks. “Aviva” is the palindrome of the t

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    • The Girl Can’t Help It: “Palindromes”

    The Girl Can’t Help It: “Palindromes”

    by Nick Pinkerton with responses by Matthew Plouffe and Michael Joshua Rowin

    Shayna Levine and Stephen Adly Guirgis in a scene from Todd Solondz’s “Palindromes.” Photo credit: Macall Polay courtesy of Wellspring.

    [ indieWIRE’s weekly reviews are written by critics from Reverse Shot. ]

    The indie special-defects film of labored shocks that enjoyed a fart of relevance in the Nineties is certifiably in hangover mode. Burn-out Harmony Korine recently emerged in the hip rag Tokion, very much looking the part of a flabby has-been sucking on the resin of his quasi-fame. And Todd Solondz, who launched a thousand ill-conceived reviews by vogue-riding hacks, now desperately masks his dearth of ideas behind convoluted formal experiments. Hence the ungainly structure of “Storytelling,” a cringing defensive shriek toward a much-deserved but nonexistent critical backlash, and now the baffling stunt that’s maladroitly inserted into “Palindromes.” Eight actors of varying age, body type, sex, and race, all take turns playing the lead role of Aviva Victor, a vacuous, innocent 13-year old from suburban Jersey who wants nothing more than a baby, because, of course, “They’re cute.”

    The changes in casting, announced by inter-titles, are arbitrary, as Solondz’s latest moves from one icky, hot-button moment to the next; after Aviva gets pregnant by a corpulent cousin, her mother (Ellen Barkin) emotionally strong-arms the girl into having an abortion. Mom has to ferry her through a gauntlet of pro-life protestors (“crazy people,” she says), but the procedure goes through, and Aviva becomes barren in the process. Sullen, she runs away, then is picked up, screwed, and dumped by an anxious-looking trucker (playwright Steven Adly-Guirgis). In a segment titled “Hu

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    • Deaths in March 2020

    From Wikipedia, the free encyclopedia

    The following is a list of notable deaths in March 2020.

    Entries for each day are listed alphabetically by surname. A typical entry lists information in the following sequence:

    • Name, age, country of citizenship at birth, subsequent country of citizenship (if applicable), reason for notability, cause of death (if known), and reference.

    March 2020

    1

    • István Balsai, 72, Hungarian jurist and politician, Minister of Justice (1990–1994), MP (1990–2011).
    • Clara D. Bloomfield, 77, American physician and cancer researcher.
    • Carsten Bresch, 98, German physicist and geneticist.
    • Laura Caldwell, 52, American novelist and lawyer, breast cancer.
    • Ernesto Cardenal, 95, Nicaraguan Roman Catholic priest and poet (The Gospel in Solentiname).
    • John Currier, 68, American vice admiral, Vice Commandant of the United States Coast Guard (2012–2014).
    • Sven Ivar Dysthe, 88, Norwegian furniture designer.
    • Jacques Lesourne, 91, French economist, director of Le Monde (1991–1994).
    • Stefan Lindqvist, 52, Swedish footballer (Halmstad, IFK Göteborg, national team), amyotrophic lateral sclerosis.
    • William MacEachern, 89, Canadian politician.
    • Timothy Moynihan, 78, American politician, member of the Connecticut House of Representatives (1975–1986).
    • Ndidi Nwosu, 40, Nigerian powerlifter, Paralympic champion (2016), lung infection.
    • May Lorna O'Brien, 87, Australian educator and author.
    • Andreas Papaemmanouil, 81, Greek footballer (Panathinaikos, national team).
    • Siamand Rahman, 31, Iranian powerlifter, Paralympic champion (2012, 2016), heart attack.
    • Jim Sheets, 88, American politician.
    • Jan Vyčítal, 77, Czech caricaturist and country music singer-songwriter.
    • Jack Welch, 84, American bus

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      Matthew faber actor dollhouse kits